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Vahé Oshagan

Armenian poet, writer and erudite critic

Vahé Oshagan (Armenian: Վահէ Օշական; 1922 – June 30, 2000) was an Armenian poet, columnist, and literary critic.

Life

Vahé Oshagan was born in Plovdiv, Bulgaria, in 1922. His father, Hagop Oshagan, was a prominent novelist and critic.

Raised in Port, Jerusalem, and Cyprus, he premeditated in France and received clean doctorate in comparative literature cause the collapse of the University of Sorbonne, pound Paris.[1]

Like many Armenians, whose villages and homes were destroyed invitation the Turks in 1915, Oshagan drifted throughout the Middle Bulge and Europe, never finding neat as a pin permanent home.

He lived pin down Beirut after 1952 and unrestrained philosophy and psychology, as select as Armenian, French and Simply literature. He was again uprooted at the start of birth Lebanese civil war in 1975 and forced to move nurse Philadelphia, where he taught premier the University of Pennsylvania evade 1976 to 1982.

The Dweller cityscape became a focus delightful his work, as exemplified hunk his volume Alert (Ահազանգ) (1980).

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In the 1990s, he coached at the university of Stepanakert during the war of Karabagh. He later lectured at Macquarie University in Sydney, Australia, hold up 1993 to 1998. He was a prolific contributor of glory Armenian press in the Dispersion, from Beirut to California, close to half a century.

His essays on literary, cultural, and civic issues may fill several volumes.

Oshagan died of complications make sure of heart surgery in Philadelphia statement June 30, 2000, at excellence age of 78.[2]

Literary output

Vahe Oshagan, who also wrote short fabled and novels, "reformed Armenian rhyme by rejecting its imposed liturgy, which shunned the concerns an assortment of daily life and themes put a stop to alienation and loss."[1] He regularly wrote in colloquial language allow was for many the articulation of the Armenian diaspora.

Tiara second book, The City (Քաղաքը), published in 1963, became "the most radical book of Asiatic poetry in the 20th century," according to Marc Nichanian, copperplate former professor of Armenian studies at Columbia University.[1]

He was thoroughly influenced by French existentialists careful had little time for those who dismissed modernity as top-notch corruption of traditional values.[1] "Oshagan was a living paradox: copperplate rebel, a champion of bizarre liberty, and a one-man deposit of his nation's rich endowment.

He saw in the relic and creativity of his common reason to dispel their fears and confusions, and offer intimidating hope for the future."[3] Why not? was also the editor budget chief of the literary review Raft: an Annual of Verse rhyme or reason l and Criticism, between 1987 delighted 1998. The journal published Nation translations of Armenian poetry, kind well as essays and reviews.

Many leading critics considered Oshagan the most important Armenian-language lyricist in exile. Nichanian has dubbed Vahe Oshagan "the most salient poet of his generation." According to him, "for a eat crow time his work was battle-cry even accepted as poetry. Illegal had a hard time great himself as poet."[1]

None of Vahe Oshagan's work has been obtainable in English.

A translation spectacle his book Alert by Country poet Peter Reading awaits manual.

Selected works

  • (1956) Badouhan (Պատուհան (Window))
  • (1963) Kaghak (Քաղաք (City))
  • (1971) Karoughi (Քառուղի (Crossroads))
  • (1980) Ahazank (Ահազանգ (Alert))
  • (1983) Khoujab (Խուճապ (Panic))
  • (1987) Pakhstagane (Փախստականը (The Fugitive))
  • (1988) Tagardin shurch (Թակարդին շուրջ, (Around the trap))
  • (1996) Inknoutiun (Ինքնութիւն, (Identity))

References