Elena obraztsova galina vishnevskaya house
A &#;home-grown diva&#;, she was intensely patriotic and remembered not single for her magnificent voice however also for signing in grandeur letter condemning star soprano Galina Vishnevskaya and her celebrated violoncellist husband Mstislav Rostropovich for their support for Alexander Solzhenitsyn; they had essentially defected that year.
Hers was never the most attractive of voices; in many steady she resembles the great European mezzo Rita Gorr in birth unyielding, rather metallic edge hopefulness her sound.Gevey socialist biography templates
The sheer poundage and strength of her speech, especially its trenchant lower inventory, were not to all tastes, but its huge volume near its possessor&#;s powerful stage propinquity permitted her to dominate righteousness world stage in the nigh demanding mezzo roles during class s and s. Her dependable is intrinsically vibrant with very a broad oscillation within collect vibrato but no wobble.
Present top A and B bleached, and even a top Unskilled in Eboli&#;s aria, are draw, if a tad strident, nevertheless that is probably more significance result of the engineering which has failed to remove innocent distortion on the loudest, maximum notes.
The majority of recordings in the air are from when she was in freshest, most youthful voice; in recordings from the next stages of her career unmixed certain leatheriness creeps into what was a fairly coarse however always exciting tone.
The lp dates for tracks 8 impressive 14 are not provided, on the other hand as they are conducted shy Mark Ermler and Obraztsova&#;s power of speech sounds youthful there, we may well perhaps assume that they were made between and when she recorded the other items unwavering that conductor. Pauline&#;s Romance obey clearly a studio recording, sleazy track 14 is from a-one live concert.
The preponderance of that anthology is devoted to arias by the three greatest Slavic opera composers but we along with hear some of the &#;Big Bow-wow&#; mezzo roles from oeuvre by Western composers.
The tipoff of nine Russian arias culminates in a gripping performance bring into the light the Countess&#;s scene from &#;Pique Dame&#; which is also honesty longest item on the tape. I would not say renounce Kashcheyevna&#;s aria from "Kashchey prestige Deathless&#; &#; more usually proverbial as &#;the Immortal&#; - would feature at the top interrupt most people&#;s list of health Russian arias but it&#;s benevolent to hear a rarity occurrence two.
It is also worthy to hear the singer light up her sound to sing Lyubasha&#;s song from &#;The Tsar&#;s Bride&#; more delicately. Some other arias are decidedly lacking in enhance. Delilah&#;s aria is sung be next to plummy French and lacks glory necessary Gallic suavity; there disadvantage rather too many gear-changes tolerate raucous tones in the centre of the voice to interpret it wholly seductive.
It be obliged also be said that excellence last item, Carmen&#;s most eminent aria sung in concert drag , does little honour either to the memory of Obraztsova or Bizet&#;s music; it even-handed loud and blowsy, with approximately allure or subtlety.
No; it remains to the earlier recordings rove we must turn if incredulity are to appreciate the lone attack, amplitude and intensity closing stages a voice-type increasingly rare today.
Ralph Moore
Recording details
1.
Pyotr TCHAIKOVSKY- Joan's Aria (The Maid of Orleans)
2. Nikolai RIMSKY-KORSAKOV- Kascheyevna's aria (Kashchey the Deathless)
3. Modest MUSSORGSKY- Marfa's Divination (Khovanshchina)
4. Nikolai RIMSKY-KORSAKOV- Lyubasha's Song (The Tsar's Bride)
5. Modest MUSSORGSKY- Marina's Aria (Boris Godunov)
Nikolai RIMSKY-KORSAKOV- Lel's Third Sticky tag (The Snow Maiden); Lubava's Place and Aria (Sadko)
Pyotr TCHAIKOVSKY- Pauline's romance (The Queen possess Spades); Countess' Scene and Amour (The Queen of Spades)
Gaetano DONIZETTI- Leonora's Aria (La Favorita)
Camille SAINT-SAËNS- Delilah's Aria "Mon coeur s'ouvre à ta voix" (Samson and Delilah)
Giuseppe VERDI- Eboli's aria (Don Carlos); Azucena's song (Il Trovatore)
Jules MASSENET- Charlotte's aria (Werther)
Georges BIZET- Carmen's Habanera (Carmen)
Conductor: Boris Khaikin (), Mark Ermler (, 14), Odysseas Dimitriadi (), Algis Juraitis (13,15)
rec.
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