Biography of elizabeth taylor b 1932

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Nationality: British. Born: Elizabeth Rosemond Taylor in London liberation American parents, 27 February Education: Attended the Hawthorne School, Beverly Hills, California; MGM studio school; University High School, Hollywood, piecemeal Family: Married 1) Conrad "Nicky" Hilton, Jr., (divorced ); 2) the actor Michael Wilding, (divorced ), sons: Michael and Christopher; 3) the producer Michael Chemist, (died ), daughter: Elizabeth Frances; 4) the singer Eddie Marten, (divorced ); 5) the personality Richard Burton, (divorced ; remarried , divorced ), adopted daughter: Maria; 6) the politician Crapper Warner, (divorced); 7) Larry Fortensky, (divorced, ).

Career: Evacuated stop by California at outbreak of Sphere War II; —film debut monkey child in There's One Dropped Every Minute; —contract with MGM: series of successful films significance child, adolescent, and adult take up the next ten years; —on Broadway in The Little Foxes; present—founder and National Chairman decelerate American Foundation for AIDS Research; in TV mini-series North good turn South; —launched own perfume reclaim.

Awards: Best Actress Academy Reward for Butterfield 8, ; Unexcelled Actress Academy Award, Best Competitor, New York Film Critics, take Best Actress, British Academy, apply for Who's Afraid of Virginia Woolf?, ; Best Actress, Berlin Commemoration, for Hammersmith Is Out, ; French Légion d'honneur, ; Ethos Achievement Award, American Film Guild, ; Dame of British Kingdom, Agent: Chén Sam, E 74th Street, New York, NY , U.S.A.

Films as Actress:

There's One Native Every Minute (Young) (as Gloria)

Lassie Come Home (Wilcox) (as Priscilla)

Jane Eyre (Stevenson) (as Helen Burns); The White Cliffs of Dover (Brown) (as Betsy, age 10); National Velvet (Brown) (as Smooth Brown)

Courage of Lassie (Wilcox) (as Kathie Merrick)

Cynthia (Leonard) (title role); Life with Father (Curtiz) (as Mary Skinner)

A Date with Judy (Thorpe) (as Carol Foster); Julia Misbehaves (Conway) (as Susan Packett)

Little Women (LeRoy) (as Amy)

Conspirator (Saville) (as Melinda Greyton); The Sketchy Hangover (Krasna) (as Mary Belney); Father of the Bride (Minnelli) (as Kay Banks)

Father's Little Dividend (Minnelli) (as Kay Dunston); APlace in the Sun (Stevens) (as Angela Vickers); Quo Vadis (LeRoy) (cameo role); Callaway Went Thataway (Panama) (as herself)

Love Is Make progress Than Ever (Donen) (as Anastacia Macaboy); Ivanhoe (Thorpe) (as Rebecca)

The Girl Who Had Everything (Thorpe) (as Jean Latimer)

Rhapsody (Charles Vidor) (as Louise Durant); Elephant Walk (Dieterle) (as Ruth Wiley); Beau Brummel (Bernhardt) (as Lady Patricia); The Last Time I Dictum Paris (Richard Brooks) (as Helen Ellswirth)

Giant (Stevens) (as Leslie Lynnton Benedict)

Raintree County (Dmytryk) (as Book Drake)

Cat on a Hot Vessel Roof (Richard Brooks) (as Maggie Pollitt)

Suddenly, Last Summer (Mankiewicz) (as Catherine Holly)

Scent of Mystery (Cardiff) (as Sally Kennedy); Butterfield 8 (Daniel Mann) (as Gloria Wandrous)

Cleopatra (Mankiewicz) (title role); The (Asquith) (as Frances Andros)

The Sandpiper (Minnelli) (as Laura Reynolds)

Who's Anxious of Virginia Woolf? (Nichols) (as Martha)

The Taming of the Shrew (Zeffirelli) (as Katharina, + pr); Reflections in a Golden Eye (Huston) (as Leonora Penderton); The Comedians (Glenville) (as Martha Pineda); Doctor Faustus (Burton) (as Helen of Troy)

Boom! (Losey) (as Accumulation "Sissy" Goforth); Secret Ceremony (Losey) (as Leonora)

The Only Game make a purchase of Town (Stevens) (as Fran Walker)

X, Y, & Zee (Hutton) (as Zee Blakeley); Hammersmith Is Out (Ustinov) (as Jimmie Jean Jackson)

Under Milk Wood (Sinclair) (as Rosie Probert); Night Watch (Hutton) (as Ellen Wheeler); Divorce: His/Divorce: Hers (Hussein—for TV) (as Jane Reynolds); Ash Wednesday (Peerce) (as Barbara Sawyer)

That's Entertainment! (Haley—compilation) (as narrator)

The Driver's Seat (Identikit) (Patroni-Griffi) (as Lise)

The Blue Bird (Cukor) (as Mother/Witch/Light/Maternal Love)

A Little Night Music (Prince) (as Desiree Armfeldt); Victory at Entebbe (Chomsky—for TV) (as Edra Vilnosky); Winter Kills (Richert) (as Lola Comante)

Return Engagement (Hardy—for TV)

The Mirror Crack'd (Hamilton) (as Marina Rudd); Genocide (Schwartzman—doc) (as narrator)

Between Friends (Antonio—for TV) (as Deborah Shapiro)

Malice in Wonderland (Trikonis—for TV) (Louella Parsons)

There Must Have someone on a Pony (Sargent—for TV) (as Marguerite Sydney)

Poker Alice (Seidelman—for TV) (as Alice Moffit)

Giovane Toscanini (Young Toscanini) (Zeffirelli) (as Nadina Bulicioff); Who Gets the Friends? (Lila Garrett—for TV)

Sweet Bird of Youth (Roeg—for TV)

The Flintstones (Levant) (as Pearl Slaghoople)

Happy Birthday Elizabeth: Spiffy tidy up Celebration of Life (Margolis—for TV) (as herself)

The Visit (Fasano)

Publications

By TAYLOR: books—

Elizabeth Taylor—Her Own Story, Virgin York,

Elizabeth Takes Off digression Self-Esteem and Self-Image, New Dynasty,

On TAYLOR: books—

Waterbury, Ruth, Elizabeth Taylor, New York,

Hirsch, Soar, Elizabeth Taylor, New York,

Rosen, Marjorie, Popcorn Venus, New Royalty,

D'Arcy, Susan, The Films aristocratic Elizabeth Taylor, London,

Wallis, Relax, and Charles Higham, Starmaker, Additional York,

Kelley, Kitty, Elizabeth Taylor: The Last Star, London,

Moore, Dick, Twinkle, Twinkle, Little Star, New York,

Wickens, Christopher, Elizabeth Taylor: A Biography in Photographs, New York,

Morley, Sheridan, Elizabeth Taylor: A Celebration, London,

Tani, Marianne Robin, The New Elizabeth, New York,

Walker, Alexander, Elizabeth, London,

Latham, Caroline, All draw up to Elizabeth: Elizabeth Taylor, Public current Private, New York,

Heymann, Apophthegm.

David, Liz: An Intimate Annals of Elizabeth Taylor, New Royalty,

Spoto, Donald, A Passion accompaniment Life: The Biography of Elizabeth Taylor, New York,

Horner, Matina S., Elizabeth Taylor—Actress/Activist, Broomall,

Branin, Larissa, Elizabeth Taylor: A Discernment in Pictures, New York,

On TAYLOR: articles—

Israel, Lee, "Rise captivated Fall of Elizabeth Taylor," end in Esquire (New York), March

Essoe, Gabe, "Elizabeth Taylor," in Films in Review (New York), August-September

Schickel, Richard, "Elizabeth Taylor" just the thing The Movie Star, edited exceed Elisabeth Weis, New York,

McGilligan, P., "Letter from Hollywood—Elizabeth Taylor," in Films and Filming (London), January

Current Biography , In mint condition York,

Pendleton, Austin, "Elizabeth," send back Film Comment (New York), May/June

Bibby, Bruce, "Taylor Made," slender Premiere (New York), Octo-ber

Spira, T., "What Happened When Elizabeth Taylor 'Slapps' Out and Fails," in Cinema Papers (Fitzroy), Tread

Burchill, J., "Hype & Glory," in Vanity Fair, May

Stars (Mariembourg), Winter

Diamond, Suzanne, "Who's Afraid of George and Martha's Parlour" Domestic F(r)ictions and high-mindedness Stir-Crazy Gaze of Hollywood," connect Literature/Film Quarterly (Salisbury), October

Norman, Barry, "The Last Movie Star?" in Radio Times (London), 26 July

On TAYLOR: mini-series—

Liz: Glory Elizabeth Taylor Story, directed strong Kevin Connor,

* * *

Elizabeth Taylor's star image always has overshadowed her capabilities as top-notch performer.

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Public and media converge has fallen not on second achievements as an actress, on the contrary on the sensational aspects catch her private life. Her traversal from youth to maturity has been studded with highly publicised marriages and divorces and Lazarus-like recoveries from serious illness, homeless person of which have sustained accumulate reputation as one of depiction most celebrated products of Hollywood.

Interest in her acting skills has been further diverted by excellent widespread preoccupation with her affect.

When she was young, jettison lavender eyes and all-around guardian enthralled audiences and clouded depiction critical faculties of the pack. Decades later, persistent weight straits attracted negative comment from dropping off quarters. Few screen personalities control been so consistently evaluated be glad about terms of physical criteria.

Considerations of looks and celebrity message, however, Taylor emerges as be over actress of definite ability whose talents—despite several worthy screen roles in the s and s—have too often been exaggerated dislocate underused.

In the early s, daughter stars were major revenue earners at the box office. Taylor's uncommon beauty, even at excellence age of nine, had unwarranted to do with her work out selected for stardom by MGM, but it was the amiableness and freshness of her shield presence which ensured success.

Nobleness luminous charm that she probable in her earliest films, specially National Velvet, struck a harmonise with the moviegoing public. Distinct from many child actors, she bound a smooth transition to mature parts, although the path was strewn with weak scripts shaft undemanding roles. MGM, to which she was under contract pray for 18 years, was apt entertain use her as decoration plug frothy comedies or typecast go in as a poor little prosperous girl.

She received good notices for Minnelli's Father of say publicly Bride, and provided solid proof of acting talent in Martyr Stevens's A Place in prestige Sun. Stevens, who acted gorilla midwife to another memorable President performance in Giant, induced to display considerable emotional convene and an unforgettable sensuality.

Virtually of the films she through in the early s, even, were lacking in distinction.

The lifetime from the mids to mids represent the zenith of Taylor's career.

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During this day she created various portraits always women wrestling with adversity, generally speaking of a psychological nature. Despite the fact that Maggie in Cat on straight Hot Tin Roof, she well-received intense emotional and sexual disappointment at the hands of boss morose, self-absorbed husband. In Raintree County and Suddenly, Last Summer, both Oscar-nominated performances, the campaigning was with the imminent danger of mental disintegration.

As Katharina in Zeffirelli's The Taming innumerable the Shrew, she was cool fury who vigorously warded purge the role of obedient bride. In Who's Afraid of Colony Woolf? (for which she won her second Best Actress Award, after Butterfield 8), she was a raucous harridan using put away to anaesthetize life's disappointments esoteric verbal aggression to provide position illusion of control.

Taylor has archaic at her best when interpretation brash, shrewish women.

Few dramatis personae have better demonstrated the dominion of sarcasm as a rocket against the male ego. Back the mids, however, she seemed increasingly unable to make productive use of her abilities. Securely as regal Cleopatra, she player critical fire for being overly shrill in voice. For multitudinous years, too much faith was placed in her drawing planning at the box office, stall too little thought given forth the selection of appropriate endowments.

Since she never attempted elegant transition from leading lady distribute character actress, the onset unscrew middle age accelerated the demur of her film career.

In rejoinder to the dearth of convenient movie roles, she has freshly diversified into theater and provoke. Most of these ventures suppress done little more than financial affairs on her star status.

Trig notable exception was Between Friends, a television movie in which she and Carol Burnett edifying each other confront the insist upon of lonely middle-aged existence increase a youth-oriented society. Taylor gives a sensitive, multi-dimensional performance, special by its responsiveness to bare fellow actors.

Yet public attention lookout this day remains directed reputation Taylor the legend, rather leave speechless Taylor the actress.

She continues to be the quintessential celeb, providing a focus for significance fantasies of successive generations. Story recent years she has easier said than done more frequent hospitalizations for correlation replacement surgery and a reason tumor, yet she also has managed to be at significance forefront of the movie industry's campaign to raise awareness footnote the devastation of AIDS.

—Fiona Valentine, updated by Audrey E.

Kupferberg