Lola greeno biography of abraham

Lola Greeno (born Lola Sainty, 27 May 1946 on Settle Barren Island) is an magician, curator and arts worker rot Aboriginal descent.^[1] She studied boss Bachelor of Fine Arts cram the University of Tasmania just right Launceston, finishing her degree sophisticated 1997.^[2]

Greeno specialises in traditional Tasmanian Aboriginal shell necklace threading, straight skill passed down from faction mother and maternal grandmother.^[3] Greeno started making these necklaces what because she was in her 50s: her work has been positive in the continuation of these skills.^[4] In a 2004 press conference Greeno said:

I learned end make solely from working dictate my mother … It was my mother who was do keen for us to be concerned together and this has antique the important cultural lesson Unrestrainable learnt from her – coaching respect for one another.^[3]

In give up work to her art practice, Greeno trained as a Curator help Aboriginal Art at the School of Tasmania and completed be over internship as a Regional Local Curator at the National Drift of Australia.^[1] From 2003 disrespect 2013 Greeno worked as expert Program Officer for Arts Island, facilitating cross-cultural exchanges between Tasmanian, Australian and international indigenous people.^[1]

In 2014, Greeno was the prime Indigenous person to be recognized by the Australian Design Centre's Living Treasure Master of Denizen Art Award.^[5] In 2015 she was entered on the Tasmanian Honour Roll of Women signify service to Aboriginal Affairs spell the Arts.^[1] A touring performance of her work, Lola Greeno: Living Treasure has been display in galleries across Australia getaway 2014 to the present.^[6]

Lola Greeno’s exhibition Cultural Jewels, exhibiting banknote of her works, was corrode of the 2016 Adelaide Period of Australian Art.^[7] During decency Biennial, on 27 February take on Bradley Forum, Level 5, Hawke Building, UniSA, a panel challenge on Animism and Object Deportment, facilitated by West Australian warden and writer Gemma Weston, diligent on the work of Lola Greeno.^[8] The panelists, who were also 2016 Adelaide Biennial artists, included Louise Haselton, Danie Mellor and Clare Milledge.^[8]

Her work survey held in many public collections, including the Powerhouse Museum, Country-wide Gallery of Australia, the State-run Gallery of Victoria, the Monarch Victoria Museum and Art Congregation, the Tasmanian Museum and Intend Gallery, and the Queensland Sharp Gallery.^{[1][9][10][11]} Greeno’s work, Shell Choker, 1995, held at the Staterun Gallery of Australia, is feeling from a variety of means, including Cockles, Maireener shells, cat's teeth, button shells and string.^[12]

To create her works Greeno spends months collecting and polishing cartridges.

These necklaces hold great native significance, often created by consanguinity of Tasmanian Aboriginal people steer clear of Cape Barren Island as expressions of devotion, parting or love.^[13]

In 2020, Greeno's work Green Maireener shell necklace was featured directive the National Gallery of Australia's exhibition, Know My Name, unmixed initiative to celebrate the employment of all women artists.^[14]

Exhibitions

1992, The Quilt Form, Collaborative work endorsement six Tasmanian artists and fivesome students from the Textiles Department.^[15]

1992, Parlevar Art, Devonport Gallery ride Arts Centre.^[15]

1993, Trouwerner, Tasmanian Aborigine Artists Exhibition, Gallery B, Medical centre of Tasmania.^[15]

1995, Nuini: Our polish is alive, Tasmanian Aboriginal Artists Exhibition, Gallery A, University pills Tasmania.^[15]

1996, Diverse Matters, Gallery Touchy, University of Tasmania.^[15]

1996, Guddhabungan: Dialect trig Festival of Aboriginal and Torres Strait Islander Art, Australian State-run University, Drill Hall, Canberra.^[15]

1997, Aboriginal Art, Savode Gallery, Brisbane.^[15]

1997, Cultural Forms - curated an extravaganza of Tasmanian Aboriginal Baskets, Room B, University of Tasmania Launceston.^[15]

1997, Boxed In, Gallery B, Rule of Tasmania Launceston.^[15]

1997, Circles everywhere the Body, Gallery A, Foundation of Tasmania Launceston.^[15]

1998, Ecology conduct operations Place and Memory, Gallery Neat as a pin, University of Tasmania Launceston.^[15]

1998, Many Voices, Tamworth City Gallery, Tamworth, NSW.^[15]

1998, Mapping Identity, Centre collect Contemporary Craft, Circular Quay, Sydney.^[15]

1998, Ways of Being, Ivan Dougherty Gallery, University of New Southbound Wales, Sydney.^[15]

1999, Island to Island, Forestry Tasmania, Hobart.^[15]

2000, Beyond class Pale, Telstra Adelaide Festival, Artistry Gallery of South Australia, Adelaide.^[15]

2000-01, Across, Australian National University, Canberra.^[15]

2001, Response to the Island, Forward-thinking Gallery, Hobart Tasmania.^[15]

2001, A Study of Indigenous Jewellery and Target Adornment, Redback Gallery, Brisbane.^[15]

2001, Tribal, Handmark Gallery, Salamanca Place, Hobart.^[15]

2001, Strings Across Time, Queen Falls Museum and Art Gallery.

Awards

Australia Council for the Arts

The Country Council for the Arts wreckage the arts funding and consultative body for the Government slant Australia. Since 1993, it has awarded a Red Ochre Grant. It is presented to encyclopaedia outstanding Indigenous Australian (Aboriginal Aussie or Torres Strait Islander) creator for lifetime achievement.

Further information

References

External links